Voice into Poetry
a 7-week poetry writing workshop
What is your relationship to your voice? How does it feel to speak out loud what resides within your internal world? When you apologize, speak up for what you believe in, use your voice to be playful… what arises within you?
Join five other participants for a rich and compassionate exploration of voice using poetry as your tool and companion. In this series, you’ll read poetry from six different authors writing on the same themes as us, speak poetry out loud, and write your own.
Writing can be a wonderful tool for empowerment. Even if you’ve never written or read poetry before, join us and explore how writing can be used to better understand yourself, and (if needed) to dream into being a different way of showing up in the world.
Register for Class
WHEN: Mondays, October 21st – December 9th, 2024
*No class on November 11th
Time: 5:30-7:45pm PT
Cost: $300 CAD + GST
Where: Online, over Zoom
Number of participants: 6
(2 spots remaining)
What to Expect (Class Format)
This series is capped at 6 participants so that real bonding and sharing can take place. For the next 7 weeks, we’ll create a nurturing and spacious container together where you will reflect on your relationship to your voice along others who are doing the same.
Here is the shape of each session:
- Opening Conversation, guided by a poem
We’ll begin every class with a guided conversation about our relationship to silence, apology, assertiveness, and more (different theme each week, see below). I’ll provide a poem that speaks to that theme and some initial reflection questions to get us started, and then your curiosity will guide where we go. Through these conversations, we’ll allow ourselves: to wander, to question, to trust the movement of our own inquiries, and to listen.
2) Discover the joy of speaking poetry out loud
Next, we’ll explore the process of speaking that week’s poem out loud with an awareness of:
- our relationship to silence, breath, and the audience;
- how we might resonantly speak the phrases that most honestly expresses our experience;
- how we might play with both movement and sound;
- and more
These explorations of speaking are gentle and can be done privately (with your camera and mic off). The intention is to offer you simple somatic exercises to physically explore your experience of voice, using poetry as your text.
3) Writing Practice — a 45 minute guided ritual
In the second half of class, you’ll nestle into a 45 minute guided writing practice (you can turn your camera off) where you’ll bring your reflections together by a writing a poem. You can think of the poetry you write during each session as a time capsule — capturing your experience now, to be returned to later whenever it’s needed.
Don’t panic if you’ve never written poetry before! I think you’ll find this segment surprisingly easeful, and even fun.
4) Share your poetry/experience with the group
At the end of each class, you’ll have an opportunity to speak the poetry you just wrote out loud, and hear the poetry of others (sharing is not mandatory). You’ll be invited to respond to one another’s work and share where each poem carried your imagination.
We’ll bring everything together in the final class of this 6-week series.
Here’s a breakdown of each session in this series:
Week 1: Silence
“…the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?”
– Adrienne Rich, Arts of the Possible (essay)
From what sort of silence have you learned to speak? Are there any silenced ones that you speak for? Explore your experience, and then… write a poem.
In this session, we’ll notice the role of silence when both performing and writing.
Week 2: Your Voice & Metaphor
“Metaphors are essential to our understanding of our world, and can be used as a mechanism for creating new meaning in our lives… ”
– George Lakoff and Mark Johnson, ‘Metaphors We Live By’
What is your metaphor for your voice? Wander for possibilities and then… write a poem.
In this session, we’ll notice how our breath could support us as both speakers and writers.
Week 3: Your Voice Now
“It’s true. My voice is — I’ve been told on numerous occasions — unlikely. Childlike, almost. Not seductive. Informal… The older I get, the more my voice seems to disagree with what people perceive of me.
– Durga Chew-Bose, from ‘Too Much Not the Mood’
How have you witnessed (or experienced) your voice change throughout your life? Let’s acknowledge where we are and where we’ve come from, and then… write a poem.
In this session, we’ll build on our previous exploration of breath and performance, by noticing if breath might have its own voice that can be shared with vulnerability.
Week 4: Apology
“… didn’t think to be angry… only remember the slight shape your mouth took to form sorry”
– Kathy Mak, how far did you have to go (poem)
Perhaps you’re far too familiar with the shape of an apology, or perhaps there are discomforts your voice has been avoiding and it’s time to honour the wisdom of your regret. Explore your experience and then… write a poem.
In this session, we’ll discuss the practice of finding language that creatively and honestly speaks to our experience. How does it feel to speak that language out loud?
Week 5: Assertiveness
“I want the how it was voice; / the call me irresponsible but aren’t I nice voice; / the such a bastard but I warn them in advance voice.”
– Ann Sansom, Voice (poem)
How does it feel to use your voice to protect either yourself or those close to you? Explore your experience and then… write a poem.
In this session, we’ll practice speaking a text fully, and not backing away. A similar practice will be explored when we write.
Week 6: Playfulness
“Lemon… even if you simply say it, / pooling full in the mouth, a greenish-hued yellow / so fragrant / so forlorn / so very tart…”
— Kim Seung-Hee, Lemon-Juice Squeezing Time (poem)
Oh, it can be so much fun to speak: to shape language with your tongue, your teeth; your vowels resounding within the caverns of your body. Explore the many delights of expression, and then… write a poem.
In this session, we’ll explore the playful aspects of writing and performance, including how to play with movement and sound.
Week 7: Performance
“I remember the way the movement of a poem would get stuck in my head until I wrote it down… I remember the sensation and calm afterward, the same now, as it was then. The gasp of relief that something new was discovered where it could have been easily lost. I didn’t perform on stage until early 2009, the feeling was instantly amplified. Me, alone on stage holding my own throat like a bottle full of lightening, and a whole room gathered around to witness.”
– Jillian Christmas, from her interview with Poetry is Dead Magazine (Issue 19:Drama)
In the final session of this series, you’ll choose one of the poems you wrote (or one of the poems we read) and you’ll engage in a 3 part mindful rehearsal process, before speaking your poem out loud for the group. You are not required to share your poem at the end, and can opt to simply listen.
We’ll conclude with a final reflection and conversation on what it has felt like to share your voice in this way through poetry and performance. What did you predict would happen? What did you find surprising?
Facilitated by Christine Bissonnette
I first became interested in voice when I was 18 and in theatre school, and a classmate pointed out a tremor that I didn’t know was there. When I recorded my voice that night, I was devastated to hear how weak my voice sounded. My internal world was so large. How dare my voice sound this way! For the next 15 years, I sought out teachers and books to help me fix the sound.
This is what I learned.
This workshop is my love letter to the voice (spoken, written, and gestural), and the incredible gift it offers us to share our experience with one another.